“When Rainn’s on the exercise ball bouncing up and down, and I come over and I stab it with the scissors. In every other take we did, I stabbed it and it just slowly goes down. And the camera angle was that he just slowly ducked behind the thing and it was incredible. On the last take they were like “do one more.” And I remember going over and I went “boom”! And I must have hit the seam or something. And it exploded. He hit the ground as hard as I’ve ever seen a human hit the ground. If you go back and watch that episode, I just dive out because I am crying laughing.” - John Krasinski 

(via iconicmonsters)

iconicmonsters:

Hahahaha at the scotch whiskey bourbon ones!

alexandra-white:

vanehwasreal:

the whitest moments in recorded history

after watching these i feel dead inside

HAHAHA

(via andrewcye)

dead-logic:

The Red Flags of Quackery

dead-logic:

The Red Flags of Quackery

(via progressivegroan)

“Anybody know the feeling of rejection? …everybody play the game of love, you ride the bench…”

Propagandhi

Jesse from Stick To Your Guns on the first time he saw Propagandhi live, in 2001:”The next morning, after the bus dropped me off at school, I just looked at everyone and thought to myself, “man, none of you mother fuckers even have a clue.” And I loved that. It was mine. All mine.”

storyboard:

The Fine Art of Coffee Portraiture

Here’s more evidence to back up all those studies on boredom inspiring creativity: Meet Mike Breach, barista extraordinaire, who “paints” everything — and everyone — into his lattes. “I’m an esspressionist,” he proudly proclaims. Just last year, Breach was idling away his customer-less hours in the back of a hotel kitchen with only a dormant espresso machine for company. He was “so, so bored.” So he taught himself how to inscribe ornate hearts in coffee foam, with a bamboo skewer as his paintbrush. “People got so excited about it!” says Breach. He took it further; out came the teddy bears (“the girls just love those”), a portrait of that hotel boss (“I didn’t show it to him, but my coworkers and I laughed about it”), and Salvador Dalì, and Edward Scissorhands, and Beyoncé.

We’re at the Smile To-Go, and he’s frothing some milk behind the counter; the shushing of the machine almost drowns out his words. He reflects. “It’s like, if something is lacking, you’ve got to find a way to make it exciting and fun. Right? I mean, I’m so happy that my old job was so boring! Otherwise I wouldn’t be making these! And this is just the beginning. I want to start a movement.” The milk is now pillowy, foamy-soft — perfect for the latte Breach is about to pour. He stares into his empty chestnut-colored canvas, and suddenly looks up. “I’ve been wanting to try Snoop. Let’s do that, yea?” 

It is true that I am fat, but one day I will be thin, and he will still be the director of The Brown Bunny.

Roger Ebert responds to Vincent Gallo’s fat comments after Ebert panned “Brown Bunny.”

10 Movies Roger Ebert Really Hated | Mental Floss

(via growingpangs)

(via growingpangs)

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